Distinguished by its elegant formal cubist shape, Shelley sports a linear geometry, enhanced by the presence of saddle hide and its accurate processing technique.
Its characteristic alluring saddle hide volume hosts cushions covered in fabric and opens at the front on the sides to reveal the inviting seat, while the rear part accommodates the body in a soft embrace. The saddle hide also serves to bind the legs together, wrapping itself round them and allowing the top part to emerge, ending in a fine decorative detail with Black Nickel finish.
The bearing frame reveals interesting shape solutions, such as the sloping front legs, slightly open at the sides or the tightness of the saddle hide at the base of the chair, which gradually loosens in an elegant tapering effect towards the exterior of the top part. Sartorial details, such as neat piping, define the edges of the cushions, with those of the backrest and armrest designed as three separate elements.
The compact design concept by GamFratesi, which plays on the harmonious contrasts between a structured external shell and a soft, inviting interior, enhanced by the texture of saddle hide and the fabrics used, has been flawlessly brought to life thanks to the design know-how and sophisticated tailoring techniques that have always been the distinguishing features of Minotti.