Un detalle que adquiere volumen es la matriz del proyecto Goodman, el nuevo sistema de asientos modulares de Rodolfo Dordoni.
De clara matriz setentera, la inspiración de este proyecto es el carácter gráfico de aquellos años, su capacidad de superponer y cruzar signos, reduciendo la complejidad de las cosas a unos pocos rasgos distintivos. Así, en Goodman es el pespunteado matelassé, típico de la elaboración sartorial de Minotti, el que dibuja sombras y luz sobre el asiento, dando la sensación de una tapicería con acolchado cruzado. El sistema flota sobre el suelo gracias a la presencia de elegantes pies metálicos de color Bronce o Cromo Pulido combinados con un marco perimetral en los mismos acabados. El efecto óptico de la suspensión permite a Goodman realzar el mullido asiento, en el que podemos acomodarnos tranquilamente. El volumen del asiento de una sola pieza resulta especialmente ergonómico y confortable gracias al uso de una tecnología de asiento innovadora: el sistema de muelles ensacados se combina con una capa de acolchado de poliuretano con densidades estratificadas que proporcionan una sensación constante de suavidad y comodidad.
Un tamaño compacto y suavidad se unen en un mismo concepto de sofá, que permite tanto el uso más formal como la relajación profunda; desde las configuraciones más tradicionales hasta las más dinámicas, posibles gracias a una serie de componentes individuales que animan el espacio del salón: unidades de extremo, unidades de esquina, unidades centrales, chaise-longues. Cada elemento es como una pieza de un rompecabezas que hay que unir con otras para definir el entorno del hogar.
Volúmenes compactos capaces de adaptarse al espacio, a las necesidades del individuo y a sus gustos, así como a su evolución residencial a lo largo de los años, transformándose fácilmente en nuevas composiciones. El inédito accesorio consistente en una bandeja moldeada y revestida de cuero que, a modo de silla de montar, viste perfectamente el volumen del reposabrazos, hace que el sistema de asientos pueda utilizarse en formación circular, transformando a voluntad el acolchado en una funcional mesa de café siempre a mano.
Mientras que el detalle estético de la costura tono sobre tono retoma un sello distintivo de los productos de Minotti, la evolución oculta, representada por la tecnología de tapizado, y la distancia entre las costuras son completamente inéditas. El pespunteado que se convierte en un detalle gráfico de clara matriz modista, en su abstraccionismo geométrico realza la identidad de Goodman: un recién nacido capaz de inspirarse en su historia estética y en la extrema calidad en los detalles de sastrería, evolucionándola con tecnología y sofisticación.
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